Festivals

Trauma ripples through time at the London Film Festival

By Erin Mussett

Jesse Eisenberg, Malcolm Washington and Christopher Andrews explored the diverging manifestations of generational trauma at this year's London Film Festival.

Greek Cinema Now: A Postcard from the Thessaloniki Film Festival

By Rafa Sales Ross

While the likes of Yorgos Lanthimos and Athina Rachel Tsangari have gone travelling the world, what’s going down on the Greek home front?

Missing Child Videotape – first-look review

By Hannah Strong

Kondo Ryota's debut feature is a chilling ghost story that begins with a videotape – but that's where the similarities to Ringu end in this impressive new J-Horror.

Teki Cometh – first-look review

By Hannah Strong

An elderly man plans the final year of his life in Daihachi Yoshida's impressive adaptation of Yasutaka Tsutsui's novel.

Route 29 – first-look review

By Hannah Strong

A standoffish young woman embarks on a road trip with an unusual 12-year-old girl in Yusuke Morii's offbeat sophomore feature.

11 Rebels – first-look review

By Hannah Strong

Kazuya Shiraishi polishes off a 60-year-old script for this bloodthirsty samurai epic about a band of criminals recruited to defend a castle from the emperor's army during the Boshin War.

20 Hidden Gems at the 2024 BFI London Film Festival

By Little White Lies

Our hand-picked haul of must-see titles from outside the main gala and competition strands.

The Tokyo International Film Festival has unveiled its full line-up

By Little White Lies

Japan's biggest film festival returns with a line-up of 110 films for its 37th edition.

On Falling – first-look review

By David Jenkins

The dire lot of a low paid factory worker is the subject of this rigorous if hardly revelatory character study from debut director Laura Carreira.

Afternoons of Solitude – first-look review

By David Jenkins

Albert Serra’s extraordinary, intense portrait of toreador Andrés Roca Rey is one of the Spanish director’s finest works to date.

When Fall Is Coming – first-look review

By David Jenkins

This lightweight Chabrolian country drama from François Ozon sees an elderly retiree with a complex past trying to do right by her family.

Emmanuelle – first-look review

By Rafa Sales Ross

Audrey Diwan’s take on the infamous erotic French novel is a chilly, bemusing affair that lacks for a sense of real purpose.

The Serpent’s Path – first-look review

By David Jenkins

Kiyoshi Kurosawa’s third film of 2024 is a French-language remake of his own 1998 feature about a grim, cyclical revenge mission.

I Am Nevenka – first-look review

By David Jenkins

Icíar Bollaín’s tabloidy but worthwhile #MeToo drama tells of a victim of sexual abuse within Spain's local political scene.

Nightbitch – first-look review

By Jourdain Searles

Amy Adams is on great form in Marielle Heller's adaptation of Rachel Yoder's novel about a new mother who is alarmed discover she is turning into a dog.

Saturday Night – first-look review

By Mark Asch

Jason Reitman pans back to 1975 and Lorne Michaels' ambitious plans for a live broadcast sketch show in his fanfiction retelling of SNL's inception.

Out of Place at the Locarno Film Festival

By Esmé Holden

Esmé Holden offers a heartfelt reflection on the highs and lows of her first time attending the Locarno Film Festival.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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