Festivals

The Last Showgirl – first-look review

By Mark Asch

Pamela Anderson excels as an over-the-hill Vegas showgirl seeing out her notice period in this low-key, vibey backstage drama from Gia Coppola.

Hard Truths – first-look review

By Mark Asch

Reuniting with Marianne Jean-Baptiste, Mike Leigh makes a welcome return to contemporary filmmaking with a searing portrait of a woman on the brink.

We Live in Time – first-look review

By Mark Asch

John Crowley delivers a millennial cancer weepie with two game leads in Florence Pugh and Andrew Garfield.

Familiar Touch – first-look review

By Hannah Strong

Sarah Friedland's feature debut is a stunning, sensory-forward portrait of a woman with dementia adapting to life in an assisted living facility.

April – first-look review

By Rafa Sales Ross

Dea Kulumbegashvili's stark Georgian drama follows an obstetrician who moonlights as an abortionist, as she is accused of interfering with her patients.

Horizon: An American Saga – Chapter 2 – first-look review

By Luke Hicks

Kevin Costner deftly keeps the wheels turning on his hyper ambitious four-part western saga, despite a lukewarm reception and scrapped release.

Love – first-look review

By Rafa Sales Ross

Dag Johan Haugerud's exploration of human desire is a sadly all too sterile affair.

The End – first-look review

By Mark Asch

Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are always just a little too strident.

Youth (Homecoming) – first-look review

By Anna McKibbin

The final chapter in Wang Bing's epic trilogy examines love old and new in China's Zhili province.

Pavements – first-look review

By Luke Hicks

Alex Ross Perry creates a unique docu-fiction about cult indie band Pavement, blurring the lines between real and fake to excellent comedic effect.

Joker: Folie à Deux – first-look review

By Hannah Strong

Todd Phillips recruits Lady Gaga to his circus act as Joaquin Phoenix reprises his role as the crime-committing clown about town in this shockingly amateur musical effort.

The Quiet Son – first-look review

By Rafa Sales Ross

Vincent Lindon stars as a widower trying to steer his young song away from the far right in the Coulin Sisters' frustrating drama.

Queer – first-look review

By Hannah Strong

Luca Guadagnino heads on down to Mexico with Daniel Craig and Drew Starkey in his freewheeling take on William S. Burroughs' eponymous novel.

2073 – first-look review

By Anahit Behrooz

Bending the boundaries of documentary and sci-fi, Asif Kapadia presents an urgent message about the current state of the world, and where we might be headed, with help from Samantha Morton.

Harvest – first-look review

By Hannah Strong

Athina Rachel Tsangari's solemn adaptation of Jim Crace's historical novel concentrates on the changing face of a Scottish farming village as the agricultural revolution begins.

I’m Still Here – first-look review

By Rafa Sales Ross

Walter Salles returns to narrative filmmaking with a sensitive depiction of the forced disappearance of former congressman Rubens Paiva, and the devastation his family faced.

The Room Next Door – first-look review

By Hannah Strong

Pedro Almodóvar makes his English-language feature debut with an adaptation of Sigrid Nunez's What Are You Going Through, starring Julianne Moore and Tilda Swinton as old friends who reunite in a time of crisis.

Phantosmia – first-look review

By Anna McKibbin

The Filipino maestro returns with a four-hour meditative drama about a retired military officer who must confront his past after receiving an unusual medical diagnosis.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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