Tokyo International Film Festival

Missing Child Videotape – first-look review

By Hannah Strong

Kondo Ryota's debut feature is a chilling ghost story that begins with a videotape – but that's where the similarities to Ringu end in this impressive new J-Horror.

Teki Cometh – first-look review

By Hannah Strong

An elderly man plans the final year of his life in Daihachi Yoshida's impressive adaptation of Yasutaka Tsutsui's novel.

Route 29 – first-look review

By Hannah Strong

A standoffish young woman embarks on a road trip with an unusual 12-year-old girl in Yusuke Morii's offbeat sophomore feature.

11 Rebels – first-look review

By Hannah Strong

Kazuya Shiraishi polishes off a 60-year-old script for this bloodthirsty samurai epic about a band of criminals recruited to defend a castle from the emperor's army during the Boshin War.

The Tokyo International Film Festival has unveiled its full line-up

By Little White Lies

Japan's biggest film festival returns with a line-up of 110 films for its 37th edition.

Tokyo International Film Festival celebrates the next generation of Japanese filmmaking talent

By Alicia Haddick

At the revamped Tokyo International Film Festival, the spotlight shone brightly on upcoming Japanese artistic voices.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design