Reviews

Wicked review – Grande and Erivo’s chemistry is unmatched

By Fatima Sheriff

CGI Blockbuster visuals aside, there’s much to love in Jon M Chu’s adaptation of one of Broadway’s biggest musical successes.

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Soundtrack to a Coup d’Etat review – a sprawling geopolitical tapestry

By Phil Concannon

Johan Grimonprez's documentary explores the circumstances that led two American jazz musicians to crash the UN Security Council in protest against the murder of Congolese leader Patrice Lumumba.

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Christmas Eve in Miller’s Point review – a lo-fi holiday classic in the making

By Hannah Strong

A large Italian-American family gather for the holidays in Tyler Taormina's freewheeling festive feature.

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Gladiator II review – are you not entertained?!

By Hannah Strong

Paul Mescal picks up the mantel as the avenging angel of Rome in Ridley Scott's long-awaited but lacklustre sequel.

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The Piano Lesson review – high-quality but low-impact work

By Leila Latif

Malcolm Washington makes his feature directorial debut with an ambitious adaptation of one of August Wilson’s most well-known plays.

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No Other Land review – a microcosm of Palestinian resistance

By Fatima Sheriff

Calling for a free Palestine, this vital doc chronicles the resilience of the Masafer Yatta community and the occupation’s atrocities in the West Bank.

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Paddington in Peru review – a very well-executed threequel

By David Jenkins

It’s three for three in the beloved bear franchise, as our marmalade-scoffing scamp heads off for an adventure in his South American homeland.

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Bird review – a magical, energetic marvel

By Hannah Strong

Social and magical realism merge in Andrea Arnold’s scintillating Thames Estuary fable about the friendship between a latchkey kid and a smiling wanderer searching for home.

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Juror #2 review – one of Clint Eastwood’s finest late-era films

By David Jenkins

Clint Eastwood’s 40th film offers a morally complex riff on the tried-and-tested courtroom drama which culminates in a killer final shot.

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Anora review – an amazing, hypermodern concept for a film

By David Jenkins

A young sex worker thinks she's hit the jackpot when she falls for a Russian nepo baby, but his parents have other plans in Sean Baker's anti-rom-com.

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Heretic review – Hugh Grant is a horror natural

By Leila Latif

Two Mormon missionaries get more than they bargained for when they drop in on Hugh Grant in Scott Beck and Bryan Woods' effective psychological horror.

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Matt and Mara review – a sharp dramedy with magnetic leads

By Hannah Strong

Two college friends reunite and reconsider the trajectory of their lives in Kazik Radwanski's keenly observed relationship comedy-drama.

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The Front Room review – a strangely scatalogical chamber piece

By Patrick Sproull

Theatre legend Kathryn Hunter camps it up as a sinister old biddy terrorising her daughter-in-law Brandy Norwood in the horror debut from Max and Sam Eggers.

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Venom: The Last Dance review – air-headed escapism

By David Jenkins

Tom Hardy seems tired and confused in this comic book sci-fi sequel that hasn’t got an original bone in its alien symbiote body.

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Emilia Pérez review – a musical that barely wants to be a musical

By Juan Barquin

This ghastly musical melodrama from Jacques Audiard tells of a Mexican cartel boss’ gender affirming surgery.

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The Room Next Door review – something is missing

By Hannah Strong

Pedro Almodóvar makes his English-language debut with an adaptation of Sigrid Nunez's What Are You Going Through, starring Julianne Moore and Tilda Swinton as old friends who reunite in a time of crisis.

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Dahomey review – a blueprint for anti-colonialist action

By David Jenkins

Mati Diop offers a creative and moving guide to discussing anti-colonialist action in her very fine follow-up to 2019’s Atlantics.

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The Crime is Mine review – Huppert steals the show

By Emily Maskell

François Ozon's first foray into crime comedy boasts bags of charm and a biting feminist edge.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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