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Favoriten review – a moving exploration into the artistic potential of children

By Jordan Cronk

Over three years, Ruth Beckermann documents school life in a multicultural working class district of Vienna.

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All We Imagine as Light review – this one is for the lover girls

By Jenna Mahale

Payal Kapadia's first fiction feature is a gorgeous romance concerning the lives of two contrasting nurses in present-day Mumbai.

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Bird review – a magical, energetic marvel

By Hannah Strong

Social and magical realism merge in Andrea Arnold’s scintillating Thames Estuary fable about the friendship between a latchkey kid and a smiling wanderer searching for home.

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Juror #2 review – one of Clint Eastwood’s finest late-era films

By David Jenkins

Clint Eastwood’s 40th film offers a morally complex riff on the tried-and-tested courtroom drama which culminates in a killer final shot.

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Anora review – an amazing, hypermodern concept for a film

By David Jenkins

A young sex worker thinks she's hit the jackpot when she falls for a Russian nepo baby, but his parents have other plans in Sean Baker's anti-rom-com.

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Heretic review – Hugh Grant is a horror natural

By Leila Latif

Two Mormon missionaries get more than they bargained for when they drop in on Hugh Grant in Scott Beck and Bryan Woods' effective psychological horror.

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Matt and Mara review – a sharp dramedy with magnetic leads

By Hannah Strong

Two college friends reunite and reconsider the trajectory of their lives in Kazik Radwanski's keenly observed relationship comedy-drama.

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Dahomey review – a blueprint for anti-colonialist action

By David Jenkins

Mati Diop offers a creative and moving guide to discussing anti-colonialist action in her very fine follow-up to 2019’s Atlantics.

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Timestalker review – ripples with insight and emotion

By David Jenkins

Alice Lowe’s miraculous second feature is a triumph of imagination, soul-searching and a refined comic instinct.

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The Outrun review – sensationally directed and performed

By Katherine McLaughlin

Saoirse Ronan stars as a young woman battling alcoholism on the Orkney Isles in Nora Fingscheidt's adaptation of Amy Liptrott's bestselling memoir.

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His Three Daughters review – fires on all pistons

By David Jenkins

Carrie Coon, Natasha Lyonne and Elizabeth Olsen play estranged sisters reuniting to care for their ailing father in Azazel Jacobs’ affecting chamber drama.

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Girls Will Be Girls review – sympathetic to teendom

By Natasha Jagger

Shuchi Talati's sensitive Sundance sensation focuses on a teenage girl in North India who experiences first love amid clashing with her mother.

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In Camera review – a star is born in Nabhaan Rizwan

By Hannah Strong

Naqqash Khalid’s inventive feature debut is a spiky take on navigating the British film industry as a non-white actor.

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Red Rooms review – a claustrophobic tech-tinged nightmare

By Hannah Strong

Pascal Plante's haunting drama examines the dark reality of the true crime industrial complex in elegant and austere fashion.

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Rebel Ridge review – Aaron Pierre delivers the goods and then some

By Kambole Campbell

Jeremy Saulnier returns with a flinty, restrained crime-conspiracy thriller exploring small town police corruption and the one guy who they should never have messed with.

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Sing Sing review – Domingo and Maclin deliver powerhouse performances

By Isaac Feldberg

Set in a correctional facility, Greg Kwedar's poignant drama offers an exploration of art’s transformative potential.

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Beetlejuice Beetlejuice review – squelchy, stripy sequel fun

By Hannah Strong

Burton, Keaton and Ryder turn up the juice and see what shakes loose in a sequel 36 years in the making that manages to deliver plenty of laughs even if it's all a bit chaotic.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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