Matt and Mara review – a sharp dramedy with magnetic leads

Review by Hannah Strong @thethirdhan

Directed by

Kazik Radwanski

Starring

Deragh Campbell Matt Johnson Simon Reynolds

Anticipation.

Kazik Radwanski is a star on the rise...

Enjoyment.

A spiky, heartfelt anti-love story.

In Retrospect.

Two college friends reunite and reconsider the trajectory of their lives in Kazik Radwanski's keenly observed relationship comedy-drama.

The titular couple of Kazik Radwanski’s latest realist dramedy aren’t actually a couple – but when they get mistaken for one by a photographer taking their passport photos, Mara (Deragh Campbell) plays along. She’s actually married with a young daughter, while her friend Matt (Matt Johnson) is a caddish singleton with his eye seemingly on every bright young thing in the Greater Toronto area. The two went to college together, both with aspirations of being writers, but that was years ago and their paths have diverged somewhat.

While Matt has published a successful short story collection and spent time living in New York, Mara settled down with experimental musician Samir (Mounir Al Shami) and started teaching prose and poetry at a local college. Returning to Toronto, Matt barrels into Mara’s life again, turning up at one of her classes.

Despite the disruption, the pair fall back into an easy friendship, bickering like no time has passed at all. Radwanski’s charming, well-observed dialogue reflects the experience of plenty of elder millennials, caught between the unrealistic expectations of ageing parents and the realisation that creative possibility under the constraints of capitalism is harder and harder to achieve. Matt briefly represents the possibility of another life to Mara – one where she feels more creatively compatible with her partner. But while Matt is charismatic, he’s also selfish and patronising, stuck in a state of arrested development. Perhaps it isn’t so much Matt, but what he represents, that Mara finds enticing.

Radwanski’s frequent collaborators Campbell and Johnson (who both appeared in his previous work, including How Heavy This Hammer and Anne at 13,000 Feet) have an easy chemistry together, and their predicament is likely to strike a chord with anyone who’s ever contemplated the seven-year itch. It also might seem similar to Celine Song’s fabulously successful 2023 drama Past Lives, similarly about a female writer questioning her relationship once a figure from her past reappears, but Matt and Mara is more observational and lo-fi in methodology. The naturalistic camerawork and performances ground the film in realism, creating a wry dramedy that refuses to placate us with easy answers or condescension.

Little White Lies is committed to championing great movies and the talented people who make them.

By becoming a member you can support our independent journalism and receive exclusive essays, prints, weekly film recommendations and more.

Published 25 Oct 2024

Tags: Deragh Campbell Kazik Radwanski Matt Johnson

Anticipation.

Kazik Radwanski is a star on the rise...

Enjoyment.

A spiky, heartfelt anti-love story.

In Retrospect.

Suggested For You

Anne at 13,000 Feet

By Charles Bramesco

A nursery worker finds inner peace through skydiving in writer/director Kazik Radwanski’s invigorating character study.

review LWLies Recommends

BlackBerry review – Glenn Howerton is on top form

By Hannah Strong

Canadian indie filmmaker Matt Johnson crafts an offbeat drama about the creation of a since-slain mobile phone giant.

review

Matt Johnson: “People say ‘Now you’ve got to make the Twitter movie'”

By Simon Bland

The writer, director and co-star of BlackBerry – an irreverent take on the rise and fall of a tech giant – reflects on his third feature while making his way across Toronto.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design