By Mark Allison
In 1967, the Fab Four embarked on an extravagant, experimental journey that would redefine what a promotional film could be.
Decades after its original release, this bittersweet symphony continues to be an irresistible needle drop.
Cocteau Twins’ Simon Raymonde and The Cranberries’ Noel Hogan reflect on the musical legacy of Wong Kar-wai’s 1994 film.
The Justin Bieber concert film created a formula that streaming giants are now running into the ground.
By Thomas Hobbs
From Birds of Prey’s intoxicating mix of rap and pop music to Tamar-kali’s atmospheric Shirley score.
By Thomas Hobbs
The Chicago rapper describes the moment he fell in love with Jon Brion’s dreamlike score.
By Thomas Hobbs
The producer and rapper reveals the soul-cleansing moment he discovered Cliff Martinez’s soundtrack.
The multi-hyphenate has created a hypnotic, incisive score for Charles Officer’s socially-conscious crime-noir.
By Thomas Hobbs
The avant-pop musician on how Andrei Tarkovsky’s dark epic helped to mould her own approach to composing.
By Thomas Hobbs
The British composer discusses how Stanley Kubrick’s use of classical music enhances his 1968 sci-fi epic.
By Thomas Hobbs
The Midsommar composer, better known as The Haxan Cloak, reveals how he drew inspiration from Jerry Goldsmith’s classic soundtrack.
By Thomas Hobbs
The composer and Cat’s Eyes member discusses her deep connection to Nino Rota’s 1972 masterpiece.
By Thomas Hobbs
The singer-songwriter and rising film composer reveals how she was seduced by Krzysztof Kieślowski’s doppelgänger drama.
By Thomas Hobbs
The Moonlight and Succession composer reveals how Vangelis’ score made him want to become a musician.
By Thomas Hobbs
The influential New Jersey rap producer on the impact of Larry Clark’s notorious teen movie.
By Thomas Hobbs
The experimental musician and composer reflects on the work of his late friend.
By Thomas Hobbs
The composer reflects on how David Byrne’s endearingly weird soundtrack inspired her to become a musician.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
