By Mark Allison
Forty years ago, Roger Moore and Sean Connery duked it out at the box office as Octopussy and Never Say Never Again faced off on the big screen.
By Mark Allison
In 1967, the Fab Four embarked on an extravagant, experimental journey that would redefine what a promotional film could be.
By Mark Allison
In The Living Daylights and Licence to Kill, Dalton created the template for Daniel Craig’s hard-edged 21st century Bond.
By Mark Allison
In 1971, Michael Caine recast the cheery cockney crim as a decidedly nasty and unglamorous antihero.
By Mark Allison
With a new 007 and more progressive sexual politics, this film brought the series up to speed with the modern world.
By Mark Allison
The film’s radical approach to violence and gender politics was perfectly pitched for the counter-culture generation.
By Mark Allison
Cate Blanchett plays 13 different characters in this bold conceptual drama from director Julian Rosefeldt.
By Mark Allison
It’s 50 years since the director announced his arrival as a major new force in American cinema.
By Mark Allison
New York’s frou-frou suburb comes under attack in this less-exciting-than-it-sounds emo actioner.
By Mark Allison
Is Daniel Craig’s second Bond outing really the worst of the entire series?
By Mark Allison
A family is torn apart because of their sexual obsession with a tentacled beast in this strange, grim pseudo-horror.
By Mark Allison
Josh Brolin and Benecio Del Toro are set to return in this continuation of Denis Villeneuve's cartel land throwdown.
By Mark Allison
A group of German POWs are forced to dig up land mines in Martin Zandvliet’s war drama.
By Mark Allison
Jennifer Lawrence looks like she’s going through some sort of supernatural ringer in this latest from the Black Swan director.
By Mark Allison
Stories of combat and derring-do were once common on our screens. What does their decline reveal about our national identity?
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
