Aubrey Plaza endures a wild, weird night in Jim Hosking’s turgid follow-up to The Greasy Strangler.
By Ethan Vestby
The Wachowskis’ pricy paean to juvenilia is a glorious multi-coloured folly which stands in stark contrast to its blockbuster brethren.
Twelve writers pin their colours to the tentpole in our survey of the best summer movies of the modern era.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
