Twenty years since Buffy first hit our screens, feminist horror fantasies are firmly back in fashion.
By Jack Godwin
Samantha Robinson serves up a lesson in gender politics in this subversive horror melodrama.
The American filmmaker talks sex, love and everything in between.
By Elena Lazic
With this retro-styled gem, director Anna Biller provides a sumptuous response to ’70s sexploitation horror.
Luxuriate in this early peek at one of the year’s true, hand-wrought originals.
Anna Biller’s The Love Witch offers a playful take on a genre dominated by male perspectives.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
