By Mark Asch
Less a swansong and more a heronsong from the Japanese maestro Hayao Miyazaki, a mystical and ambitious message of hope for the future.
By Mark Asch
Less a swansong and more a heronsong from the Japanese maestro Hayao Miyazaki, a mystical and ambitious message of hope for the future.
This spring, audiences unable to attend the Japanese production will behold the live-action magnificence of the radish spirit.
Japanese theaters will get the anime master's latest in June.
By Ryan Gaur
Hayao Miyazaki's porcine aviator and Guillermo del Toro's little wooden puppet demonstrate the importance of resistance in the face of extremism.
By Katie Goh
Studio Ghibli alums Masashi Ando and Masayuki Miyaji channels Princess Mononoke in their visually striking “medical fantasy”.
Studio Ghibli’s first computer-animated feature boasts bags of charm and one its most endearing heroines.
Read an exclusive extract from the new BFI Classics book on Isao Takahata’s seminal 1988 anime.
The Wan brothers and Te Wei are among the pioneering artists featured in an online film season.
A copyright dispute around 1984’s ‘Sherlock Hound’ freed the Japanese animator to establish Studio Ghibli.
From Spirited Away to Ponyo, your screensavers and wallpapers will never be the same again.
The first and only film from Miyazaki protégé Yoshifumi Kondo stands among the studio’s best works.
Isao Takahata’s unrealised passion project was intended as a follow-up to Grave of the Fireflies.
Aya and the Witch tells the story of the smartest girl in the world and her hex-casting companion.
With the release of Studio Ghibli’s back catalogue on Netflix, we look back at one of their unsung greats.
By Zoe Crombie
Tomomi Mochizuki’s teenage love triangle drama is fascinating outlier in the studio’s catalogue.
Rejoice, Totoro fans: 21 of the Japanese animation studio’s feature films are headed your way.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
