The unofficial, often open matte scans of these films preserve a tactile history of cinema in its imperfect totality.
By Anton Bitel
Killer sloths and a Kubrick classic are among the best new releases hitting physical media and digital this month.
Though her work remains undistributed in the UK, her superb film and TV episodes show an immense and unique talent on the rise.
All work and no play will make director Ivo van Hove and star Ben Stiller dull boys.
Our partnership with 99designs by Vistaprint continues with Jim Stoten’s psychedelic take on Kubrick’s sci-fi classic.
Stanley Kubrick’s final film contains a thinly-veiled critique of the vulgar excess and materialism of Christmas.
By Brian Quinn
Directed by SFX visionary Douglas Trumbull, this homespun space odyssey is a far more soulful affair.
By Adam Scovell
As with many of his “American” features, the director utilised various settings around London.
By Thomas Hobbs
The British composer discusses how Stanley Kubrick’s use of classical music enhances his 1968 sci-fi epic.
By James Clarke
On the 80th anniversary of Disney’s animation, we look at the different ways this magical fable has been interpreted.
The re-release of Stanley Kubrick’s final masterpiece will be accompanied by a new documentary short.
The draft screenplays, dating from the 1950s, all deal with themes of marital strife.
Stanley Kubrick’s thrilling study of the Vietnam War chooses individual narratives over a collective moral message.
In 1965 Andy Warhol offered his own bold take on Antony Burgess’ novel.
By Adam Scovell
Visiting the southeast London estate featured in Stanley Kubrick’s 1971 film makes for a dystopian experience.
By Thomas Hobbs
This documentary provides a fascinating insight into Stanley Kubrick’s world, via his right-hand man, Leon Vitali.
A new book presents some 300 images from the filmmaker’s archives.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
