A young tennis star refuses to open about an abusive coach in Leonardo Van Dijl’s impressive feature debut.
This ghastly musical melodrama from Jacques Audiard tells of a Mexican cartel bosses’s gender affirming surgery.
The Chinese maestro delivers his greatest film in this cut-and-paste jukebox musical melodrama.
Nicolas Cage stars as a man who comes a cropper of a local surfer gang in Lorcan Finnigan's unsuccessful psychological thriller.
A celebrated documentary filmmaker makes a deathbed confession in Paul Schrader's adaptation of Russell Bank's novel Foregone.
Yorgos Lanthimos returns with another scorcher in this innovative and darkly comic trio of films about spiritual domination.
Ignore the haters – this is the kaleidoscopic, enriching, Wellsian vision of a grand old master with nothing to lose.
Andrea Arnold returns with a flighty kitchen sink reverie that sadly falls from grace in a muddled second half.
The death of a beloved uncle in a middle-class Zambian family brings some difficult truths to light in Rungano Nyoni's surreal second feature.
Magnus Von Horn brings subtlety and empathy to the serial killer genre in this extraordinary true-life yarn.
A young woman with her heart set on social media stardom gets a shot at fame when she's offered an audition for a reality series in Agathe Riedinger's feature debut.
The opening film of the 2024 Cannes Film Festival offers a limp metafictional critique of the modern film industry.
Yorgos Lanthimos, David Cronenberg and Francis Ford Coppola roll out for France's premiere film jamboree.
The psychological courtroom thriller with the great Sandra Hüller wins the top prize at the Cannes Film Festival.
Three precocious kids set out on a quest for blueberry pie in Weston Razooli's throwback adventure film.
By Mark Asch
In what could be his final film, Ken Loach turns his eye to UK immigration, focusing on a pub landlord in a town reckoning with a new population of Syrian refugees.
By Mark Asch
Josh O’Connor breaks out his halting Italian as a grave-robbing rascal in Alice Rohrwacher’s divine exploration of time, history and memory.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
