Jeremy Hersh’s assured debut offers an endearingly messy look at the ethics and emotional impact of surrogacy.
Shows like BoJack Horseman, GLOW and Unbreakable Kimmy Schmidt are taking a bold, complex approach to tackling systemic misogyny.
Our Obama Era Cinema series continues with Caspar Salmon reflecting on the vitriolic online backlash to recent progress in Hollywood casting.
The director was correct in chastising the “fake nostalgia” of period dramas.
The Where’s Wally-meets-Buster Keaton shtick masks a filmmaker a rare emotional intelligence.
Ciro Guerra’s film is a stark reminder of the destructive nature of European colonialism.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
