By Sarah Jilani
For Sama and Tiny Souls show the realities of conflict and exile through the eyes of women and children.
By Sarah Jilani
These rising stars are paying homage to their cinematic heritage while breaking exciting new ground.
By Sarah Jilani
A look at how cinema has separated the human stories from this major historical event.
By Sarah Jilani
Black Code follows “cyber stewards” from Toronto’s The Citizen Lab.
By Sarah Jilani
Refugee women from beyond the Middle East made their voices heard at this year’s festival.
By Sarah Jilani
The knock-on effects of leaving the EU are likely to be felt for generations. But it’s not all doom and gloom.
By Sarah Jilani
The Cannes Film Festival is slowly but surely setting out to promote gender equality, and others will follow.
By Sarah Jilani
Despite facing severe restrictions Iran’s most important filmmakers continue to give its people a voice.
By Sarah Jilani
Studios are being recruited to help combat IS, yet winning over those vulnerable to radicalisation requires a new narrative.
By Sarah Jilani
The medium once described as “anti-cinema” is pushing the boundaries of the artform.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
