As this Thomas Pynchon-inspired drama turns 10, its portrayal of post-war malaise still has an undeniable allure.
In an ambitious venture, we count down our favourite wholly-original feature films of the last two decades.
The creator and star of Licorice Pizza take us on a tour through the San Fernando Valley and reveal why HAIM love to walk everywhere.
From Valley Girl to Pulp Fiction and now Licorice Pizza, the San Fernando Valley is a familiar on-screen setting.
We’re hitting the San Fernando Valley hard for Paul Thomas Anderson’s laid back summertime romance.
Newcomers Alana Haim and Cooper Hoffman shine in Paul Thomas Anderson’s most purely pleasurable film to date.
In ’70s SoCal, a tentative romance blossoms between cool girl Alana Haim and newcomer Cooper Hoffman.
The writer/director is returning to his SoCal roots for his hotly-anticipated next picture, which hit cinemas in November.
Our noughties ranking reaches the midway point, as Amélie, Oldboy and Spider-Man 2 all make the cut.
Every school has that one handsome teacher – could it be B-Coop?
By Emily Cashen
Two decades on from its UK release, this sprawling epic still has much to teach us about the joys of letting go.
Find out how Little White Lies contributors voted in our critical survey of recent non-IP cinema.
Details have emerged of the US director’s ninth feature, about a California high school student.
From Paul Thomas Anderson’s beef with Burt Reynolds to Peter Sellers and Orson Welles’ legendary spat.
Daniel Day-Lewis and Lesley Manville have an epic food fight in this outtake from Paul Thomas Anderson’s drama.
Conductors and longtime friends Hugh Brunt and Robert Ames reveal how they helped bring Jonny Greenwood’s mesmerising score to life.
The world was watching a little more closely last night as the first post-Weinstein Academy Awards took place.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
