As we wave goodbye to another year at the movies, we reflect on the films that have stayed with us – from the plastic fantastic to tense courtroom dramas.
Todd Haynes' deliciously dark melodrama sees Julianne Moore and Natalie Portman go head-to-head as a housewife and the woman tasked with playing her in a film.
Todd Haynes' deliciously dark melodrama sees Julianne Moore and Natalie Portman go head-to-head as a housewife and the woman tasked with playing her in a film.
The Competition selection also includes new works from Catherine Breillat and Todd Haynes.
Martin Scorsese, Wes Anderson, and Pedro Almodóvar number among the heavy hitters expected on the red carpet.
By Nick Joyner
Over 30 years later, Todd Haynes’ experimental documentary remains a visionary look at female celebrity.
Todd Haynes directs this definitive chronicle of the fabled avant-garde rock group, taking in everything from doo wop to pop art.
This year’s LFF programme comprises 39 per cent female and 40 per cent ethnically diverse directors/creators.
The acclaimed director of Velvet Goldmine eulogises the ’60s rock legends in his new film.
Todd Haynes’ first documentary takes a thrilling, cautiously ambivalent look at the NY art-rock demigods.
Billie Eilish is also reported to be starring in the director’s upcoming biopic of the American jazz singer.
A.I., American Psycho and Bamboozled all make the final part of our list – but what will come out on top?
Mark Ruffalo takes on a giant chemical company in Todd Haynes’ gripping procedural drama.
It's good-guy lawyer Mark Ruffalo versus the corporate machine in the upcoming film.
By Ege Apaydın
Is there an argument to drop the cover-all term “queer” in favour of something that’s more specific to the subject of a piece of art?
Mark Ruffalo goes gumshoe for Dark Waters, with Anne Hathaway and Tim Robbins co-starring.
The director’s third feature from 1998 is a glitter-covered ode to the 1970s.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
