By Nia Childs
One of Britain's foremost chroniclers of life in the economic margins opens up about the pressures of modern filmmaking and her desire to let audiences take what they want from her films.
Social and magical realism merge in Andrea Arnold’s scintillating Thames Estuary fable about the friendship between a latchkey kid and a smiling wanderer searching for home.
Pick up our fully-illustrated print deep-dive into the world of Andrea Arnold and her scintillating new film, Bird.
Andrea Arnold returns with a flighty kitchen sink reverie that sadly falls from grace in a muddled second half.
Take an exclusive look at Andrea Arnold’s new documentary, in which life and death come to the barnyard.
Andrea Arnold successfully adapts her social realist mode to minutely chronicle the life of an average dairy cow.
By Beth Piket
The British director’s 2009 drama offers a child’s perspective of life below the poverty line.
Personal odes to some of the finest women directors from around the world.
Andrea Arnold returns with a stylish but shambling teen road movie starring charismatic newcomer Sasha Lane and Shia LaBeouf.
Despite its frenetic energy and fine young leads, Andrea Arnold’s film never manages to rise above mediocrity.
By Josh Winning
Though passionate and faithful, Andrea Arnold’s film is striking but staggers toward a lethargic climax.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
