Dismissed as inferior by dedicated print enthusiasts yet a mainstay of cinemas around the world – we talk to cinema workers about the pros and cons of digital as a format.
By Rory Kiberd
Gabbing guests, flashing phone fans – is there no end to the crimes of the modern cinema audience?
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
