A captivating Parisian gay love story with lashings of steamy sex.
How’s this for a meet cute: two young dudes, Theo (Geoffrey Couët) and Hugo (François Nambot), lock eyes, hearts and everything else besides while wandering around a dungeon-like confines of a gay sex club called L’Impact. When they realise that love might very well be in the air, the house lights flicker on for a brief moment and a bout of intense public lovemaking begins.
It’s a wonderful opening episode, near-wordless in its execution and as dirty as it is swooningly romantic. The post-coital euphoria of riding hire bikes around the vacant Parisian suburbs at night is shattered when Theo boasts of having been so spellbound that he didn’t bother to use a condom. A nervous Hugo explains he’s HIV positive and that his new playmate should high-tail it to the nearest emergency room.
The pair’s mature, rational response to this tricky situation completely alters the tone of the film, which for a decent stretch works well as an instructive guide to the ins and outs of the healthcare system. It also confirms that they both see their relationship as being built on more than casual sex.
Alas, after this impressive first half, the film swiftly falls to pieces, with zero tension or any real sense of direction. Couët and Nambot’s loved-up cooing can only hold time for so long, and when writing-directing twosome Olivier Ducastel and Jacques Martineau usher in some adorably charming locals whose job it is to dispel ethnic and gender stereotypes, well, you might want to head for the door.
It’s a shame, because there’s such chemistry, momentum and passion to begin with, that the lacklustre closing furlongs make it come across as even more underpowered and repetitive than it is. Still, both leads give it their all, even if there’s not the material to give their performances the dramatic sustenance they deserve.
Published 9 Sep 2016
The filmmaking duo are behind some of the 21st century’s best LGBTQ-themed films.
What a great opening!
It’s downhill after the first half.
Inspired by Todd Haynes’ Carol, explore our potted history of great films that depict gay lives on screen.
New York’s Film Society of Lincoln Center has curated a season dedicated to early explorations of LGBT themes.
Andrew Haigh captures the timeless terror, trepidation and humour of sex in his brilliant new film.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
